Artificial intelligence enters the scene in art

intelligence artificielle œuvre numerique art
intelligence artificielle œuvre numerique art

In April 2023, the German artist Boris Eldagsen produces a shock wave in the world of photography. The winner of the famous Sony World Photography Award decides to decline his prize for an unprecedented reason : his work, which represents two women in black and white in a 1940s atmosphere, is not a cliché, but an image designed by artificial intelligence generative. “  I wanted to do a test, to see if the world of photography was ready to manage the intrusion of AI into international competitions, and obviously that is not the case  ,” he then said. explain. If this event stunned the artistic community, it says a lot about the technical capabilities of AI in artistic creation. Because in fact, art does not escape the tidal wave of artificial intelligence. Today, algorithms can write poems, compose music or even paint pictures using robots.

What was only a fantasy just two years ago is coming true: so-called generative artificial intelligence has now become an instrument of artistic creation in many fields. T he Portrait of Edmond de Belamy, produced by the Obvious collective using this technology, was sold for $432,500 during an auction.

The numerous generative AI tools facilitate artistic creation processes, in many fields such as painting, photography, music… This technology can also prove effective in restoring damaged works, such as for restoring its colors to a Picasso painting or to reconstruct frescoes from Pompeii.

Another approach to creativity by artificial intelligence

Since the spotlight turned to generative AI, thanks in particular to the breakthrough of ChatGPT , generative AI tools dedicated to artistic creation are gaining popularity, such as Stable Diffusion , Midjourney , Dall-E 2 or Adobe Firefly . However, designing an image using a computer process is not done in the blink of an eye: obtaining an impactful result that meets your expectations can take hours, but the creative process is obviously not the same. “  There is no longer a separation between idea and execution  ,” explain Nir Eisikovits, professor of philosophy and director of the Center for Applied Ethics (UMass Boston), and Alec Stubbs, doctor of philosophy (UMass Boston). in an article in The Conversation . However, 2.0 artists now

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